I'm on Spring Break from law school right now, and in between studying for Civil Procedure I've been reading Ethan Canin's short story collection, The Palace Thief. It's fantastic from the first line, which is from the story "The Accountant." I'll give it to you here:
"I am an accountant, that calling of exactitude and scruple, and my crime was small."
Damn. That is one of the best first lines I've ever read. Simple and perfect. Of course now you want to know what the crime is. Go read all of the collection. Apparently the title story has been made into a film starring Kevin Kline (it's all over the cover of the most recent edition of the book), but I've neither seen it nor heard of it before I picked up the book. Needless to say, I can't vouch for the film.
Canin is also a remarkable interviewee. Check that out here.
Showing posts with label Literature. Show all posts
Showing posts with label Literature. Show all posts
Monday, March 17, 2008
Wednesday, February 27, 2008
Richard Ford, Leaving For Kenosha
"Leaving for Kenosha" was recently published in the New Yorker. It's classic Richard Ford, a la Independence Day. You've got the significant anniversity (explicit in the first sentence), mini-road trip with child, divorce, and extra-perceptive narration - albeit in the third-person. Here's the beginning. Aside from the repetition of his older themes, I think it's wonderful:
"It was the anniversary of the disaster. Walter Hobbes was on his way uptown to pick up his daughter, Louise, at Trinity. She had the dentist at four. Then the two of them were going for a hilariously early dinner at the place Louise liked—Papa Andre’s—out on the Chef Highway, a roadhouse on stilts that the flood had missed. Then they were going back to his condo for her homework and a Bill Murray movie. This was New Orleans.
"It was their day. Betsy, Louise’s mother, was driving out to appraise some subdivision plats in Mississippi, then was staying at Mitch Daigle’s, across the lake. Which meant double whiskey sours and maybe a joint and some boiled shrimp. Walter and Betsy had been divorced for a year. Betsy had fallen in love with Mitch while she was showing him a house—a present he had planned for his wife for their twentieth anniversary. An anniversary that didn’t quite come off...."
"It was the anniversary of the disaster. Walter Hobbes was on his way uptown to pick up his daughter, Louise, at Trinity. She had the dentist at four. Then the two of them were going for a hilariously early dinner at the place Louise liked—Papa Andre’s—out on the Chef Highway, a roadhouse on stilts that the flood had missed. Then they were going back to his condo for her homework and a Bill Murray movie. This was New Orleans.
"It was their day. Betsy, Louise’s mother, was driving out to appraise some subdivision plats in Mississippi, then was staying at Mitch Daigle’s, across the lake. Which meant double whiskey sours and maybe a joint and some boiled shrimp. Walter and Betsy had been divorced for a year. Betsy had fallen in love with Mitch while she was showing him a house—a present he had planned for his wife for their twentieth anniversary. An anniversary that didn’t quite come off...."
Thursday, February 07, 2008
I Talked To A Blind Guy; or The Dreams of the Blind

Blind Guy Ben: There was so much pregame hype talking about how the Giants' defense would decide the game, depending on whether the front line could get to Tom Brady. But I'll give the prognosticators credit. They were right. Strahan and company did the job, and the Giants won because of it.
Me: Yeah, Strahan, Tuck and Umenyiora were all over Brady like pirahnas on a mule crossing the Amazon.
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Blind Guy Ben: Right. Uh huh.
[awkward thirty seconds of silence.]
Blind Guy Ben: All right, this is my stop. Nice talking to you.
I was struck by his strange reaction to my (albeit pitiful) simile. It got me wondering: can blind people visualize metaphoric language? I mean, there are metaphors that deal with our different senses (i.e. sight, touch, smell, taste, sound), and there are metaphors, called synaesthetic metaphors, that mix our senses up (e.g., a sharp crack, a heavy explosion). While I'm sure blind people don't have problems with auditory metaphors, I hypothesized that Blind Guy Ben probably couldn't visualize pirahnas attacking a mule due to the fact that he lacked a reference point for the imagery.
So I went to an internet cafe and did some research, mostly on the analogous question of whether blind people have visual dreams. It turns out that it depends on when they went blind. If they've been blind from birth, they don't have visual dreams (because they don't have anything visual in their memories to recall), but if they've been blind since adolescence they generally will have visual dreams that will become hazier and fade with time.
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There's no moral to this story, but it's probable that if you use a visual metaphor when talking to a blind guy, it's not going to help him understand your point. Although if the visual metaphor serves a conceptual purpose, it might be useful. It most likely depends on the function of the metaphor in whatever context it's being referred. For example, if the metaphor/simile functions as a joke that relies solely on imagery, it's probably going to fall flat. But if it's only purpose is to demonstrate some sort of conceptual relationship, then it'll probably be effective.
FOR FUTHER INQUIRY:
1. Raymond Carver's short story "Cathedral," where a blind guy and a non-blind guy smoke pot and the non-blind guy tries to describe a Cathedral to the blind guy.
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2. Beethoven was deaf.
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3. A Scholarly Study on the Dreams of Blind People
Labels:
Blind,
Literature,
Metaphors,
Patriots,
Sports
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